Lucky Breaks

Lucky Breaks

154 pages


Genre: Literary Novel, Essay, Narrative Nonfiction
Powerful, off-beat stories about women living in the shadow of the now-frozen, now-thawing war in Ukraine

Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusets’s captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Women’s Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony. She also weaves in twenty-three photographs that, in lyrical and historical counterpoint, form their own remarkable visual narrative.

German title: Glückliche Fälle
ISBN: 978-3-95757-776-4
Publisher: Matthes & Seitz Berlin
Publication date: 2019
Print run: 2
Sold to: Macedonia, Serbia, Turkey, Portugal, France, Norway, Italy, Ukraine, Bulgaria, Russische Föderation, United States, United Kingdom

Sample translation

English translation available

Russian original text available


Yevgenia Belorusets is a Ukrainian photographer who lives between Kyiv and Berlin. Lucky Breaks is her first novel.

By the same author(s)

“Belorusets’s stories work their way under your skin. A tender strength and Gogolian wryness emerge from “insignificant, trivial things”, like the inability to let go of an umbrella. Their inconclusive endings have a Chekhov-like knack of stepping off the page into a shifted new plane of survival and real, bewildered life.” The Times Literary Supplement